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"Like Vertigo, each retelling or reframing of Madeleine E. leads always to deeper mystery rather than to clarity and resolution. It is a book that does not develop in any traditional sense but estranges. It is a work that seems to be in the midst of revision, as if it isn’t quite finished, as if it can never be finished. Sometimes revision is an act of cutting and compression; sometimes it is an act of expansion or rearranging, but then there are those works of art that grow only as you become increasingly estranged from them. The more Blackwell doubles and trebles his themes, his narratives, his allusions, the farther he gets from the narrative voice(s), the more we enjoy the experience."