Sunday, April 20, 2014

New Review at Arsenic Lobster

Check out my review of citizen j.

"A peculiar lexical characteristic of the book is the utter lack of capital letters and the use of text lingo and abbreviations, which may be a clever, tongue-in-cheek comment on the recent controversies regarding the NSA reading the emails of American citizens. Maybe this is what a sacred text would look like in a world of, to use her own words, “post/fake/neo” Soviet and American kitsch, in an age of text messages and government spying—surveillance being a major undercurrent of the text as well."

Friday, April 18, 2014

Review of Gatza's Apollo at Cleaver Magazine

Check out Cleaver Magazine where I review Geoffrey Gatza's Apollo.


"In Apollo . . . poetry is seen through the lens of dance, dance is understood as painting, painting becomes music, music is myth, myth is chess, chess = ballet, and ballet, war—and on and on. It’s not necessarily baroque in the way we often think of in poetry, which usually has something to do with style, a certain self-awareness of poetry as poetry."

Friday, April 11, 2014

Wednesday, April 2, 2014

Review of Some Kind of Shelter

I review Sara Tracey's debut collection, Some Kind of Shelter over at Split Lip Magazine.

Ultimately Some Kind of Shelter begins with a map—“Give me a map . . . [and] follow me across this / cartographer’s sketch” (“This Paper Landscape”)—and ends with a map—“you study / my palm to find the way home” (“Chickfire”). These poems about work, love and Ohio are always searching for the path back, for the map inscribed in the palm of a hand.